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Richard Knapp's avatar

Yes. Hard to avoid the temporal drama. I'm in the same place, sort of. Trying to play, in the best way I can, the part I have cast myself in. Sometimes, though, I feel this is a mis-take. That it is not leading to the denouement I've been hoping for. I wonder if I can rewrite the script. Create a new character which, of course, would have to grow out of the old one as there are no plot erasers and the curtain has been up for a while now. Perhaps this is as it must be. The Director has given us the freedom to mess around; trusting our creative abilities; knowing the eventual outcomes will be pleasant to behold.

Richard Knapp's avatar

Can you make more generalizations about language and conflict? As an example of what I'm driving at take the current conflict in the Middle East. I see this as a game with at least seven participants. Most of these parties are not forthcoming about their motives or their actions. How is conversation useful in this case where self interest seems to be the dominant theme? What is the framework that might be successful in resolving this conflict?

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